Norma Shearer


Born
8/10/1902
Montreal, Quebec, Canada
Norma Shearer
Biography
From Wikipedia, the free encyclopedia. Edith Norma Shearer (August 10, 1902 – June 12, 1983) was a Canadian-American actress. Shearer was one of the most popular actresses in North America from the mid-1920s through the 1930s. Her early films cast her as the girl next door, but for most of the Pre-Code film era, beginning with the 1930 film The Divorcee, for which she won an Oscar for Best Actress, she played sexually liberated women in sophisticated contemporary comedies. Later she appeared in historical and period films. Unlike many of her MGM contemporaries, Shearer's fame declined steeply after retirement. By the time of her death in 1983, she was largely remembered at best for her "noble" roles in The Women, Marie Antoinette, and Romeo and Juliet. Shearer's legacy began to be re-evaluated in the 1990s with the publication of two biographies and the TCM (Turner Classic Movies) and VHS release of her films, many of them unseen since the implementation of the Production Code some sixty years before. Focus shifted to her pre-Code "divorcee" persona, and Shearer was rediscovered as "the exemplar of sophisticated [1930's] woman-hood... exploring love and sex with an honesty that would be considered frank by modern standards". Simultaneously, Shearer's ten-year collaboration with portrait photographer George Hurrell and her lasting contribution to fashion through the designs of Adrian were also recognized. Shearer is widely celebrated by some as one of cinema's feminist pioneers: "the first American film actress to make it chic and acceptable to be single and not a virgin on screen". In March 2008, two of her most famous pre-code films, The Divorcee and A Free Soul, were released on DVD. Description above from the Wikipedia article Norma Shearer, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Known For91 Movies

That's Entertainment!

The Women

Riptide

That's Entertainment! III

Smilin' Through

Idiot's Delight

Romeo and Juliet

Marie Antoinette

Way Down East

Hollywood Out-takes and Rare Footage

The Barretts of Wimpole Street

The Bootleggers

A New Romance of Celluloid: The Miracle of Sound

He Who Gets Slapped

Twenty Years After

The Romance of Celluloid

The Hollywood Revue of 1929

Escape

Strangers May Kiss

A Free Soul

Hollywood Goes to Town

Cavalcade of the Academy Awards

The Making of a Legend: Gone with the Wind

Hollywood: The Dream Factory

Complicated Women

The Divorcee

Hollywood: Style Center of the World

Judy Garland: By Myself

Her Cardboard Lover

Joan Crawford: Always the Star

Leslie Howard: The Man Who Gave a Damn

The Movie Album

The Stolen Jools

A Man's Man

Sports on the Silver Screen

Vito

The Demi-Bride

Lady of the Night

Thou Shalt Not: Sex, Sin and Censorship in Pre-Code Hollywood

Strange Interlude

Going Hollywood

Let Us Be Gay

A Slave of Fashion

The Last of Mrs. Cheyney

The Christmas Party

Pretty Ladies

Their Own Desire

The Film Parade

The Flapper

The Actress

The Student Prince in Old Heidelberg

The End of the World

The Wolf Man

After Midnight

Broken Barriers

A Lady of Chance

Excuse Me

The Devil's Circus

Broadway After Dark

The Trial of Mary Dugan

His Secretary

Private Lives

From the Ends of the Earth

Man and Wife

Upstage

The Man Who Paid

Another Romance of Celluloid

Married Flirts

1925 Studio Tour

The Snob

We Were Dancing

Empty Hands

The Wanters

The Latest from Paris

The Devil's Partner

Torchy's Millions

The Tower of Lies

We’re Switching to Hollywood

Pleasure Mad

The Stealers

Screen Snapshots Series 18, No. 8

Lucretia Lombard

Waking Up the Town

The Waning Sex

The Restless Sex

Channing of the Northwest

Master Will Shakespeare

The Star Boarder

A Clouded Name

Blue Water
