Jean Rouch


Born
5/31/1917
Paris, France
Jean Rouch
Biography
Jean Rouch (French: [ʁuʃ]; 31 May 1917, Paris – 18 February 2004, Niger) was a French filmmaker and anthropologist. He is considered to be one of the founders of cinéma-vérité in France, which shared the aesthetics of the direct cinema. Rouch's practice as a filmmaker for over sixty years in Africa, was characterized by the idea of shared anthropology. Influenced by his discovery of surrealism in his early twenties, many of his films blur the line between fiction and documentary, creating a new style of ethnofiction. He was also hailed by the French New Wave as one of theirs. His seminal film Me a Black (Moi, un noir) pioneered the technique of jump cut popularized by Jean-Luc Godard. Godard said of Rouch in the Cahiers du Cinéma (Notebooks on Cinema) n°94 April 1959, "In charge of research for the Musée de l'Homme (French, "Museum of Man") Is there a better definition for a filmmaker?" Along his career, Rouch was no stranger to controversy.
Known For19 Movies

The Dreamed Films

Ciné-Portrait of Raymond Depardon

My Conversations on Film

The Lovely Month of May

Cinéma, de notre temps: Mosso, mosso (Jean Rouch comme si...)

Chronicle of a Summer

Samba the Great

The Mad Masters

Cinématon

Son of Gascogne

Pierre Fatumbi Verger: Messenger Between Two Worlds

The Doll

Nouvelle Vague : El cine sin dogmas

La Nouvelle Vague par elle-même

Letter to Jean Rouch

An Egg with No Shell

The Sons of the Water

Ispahan: A Persian Letter (The Chah Mosque at Ispahan)
